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All twelve-year-old Elizabeth Dagmar Johnson ever wanted was to suffer so she could be a great artist. Madame DuBois, her French art teacher, always tells her to reach deep inside and paint what she feels. Unfortunately, Elizabeth always feels happy. That does not make for great, gut-wrenching, emotional art. It makes for Nice, Pretty, Colorful, art and she is not happy about that at all. Then there was a fire at her school. Nothing too dramatic, but she was sent to stay with her grandparents for two weeks. That should have made for huge amounts of suffering and it did, sort of. She found out...