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The Greater Infortune and The Connecting Door were both originally published as halves of a pair, and both released in the early 1960s as author Rayner Heppenstall turned fifty. The Greater Infortune is a revision of his Saturnine, first issued in 1943. They represent Heppenstall's engagement with two literary genres, one quite archaic and quintessentially British; the other aggressively modern and French. For The Greater Infortune his guiding principle was that film had assumed the nineteenth-century novel's exteriorised narrative function and that...