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This book argues that late medieval love poets, from Petrarch to Machaut and Charles d'Orleans, exploit scientific models as a broad framework within which to redefine the limits of the lyric subject and his body. Just as humoral theory depends upon principles of likes and contraries in order to heal, poetry makes possible a parallel therapeutic system in which verbal oppositions and substitutions counter or rewrite received medical wisdom. The specific case of blindness, a disability that according to the theories of love that predominated in the late medieval West foreclosed the possibility...

An exploration of the medieval mind as a machine, and how it might be affected and immobiled, in textual reactions to the madness of Charles VI of France.