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To what extent is it possible to think the elaboration of a scenic speech separately from the procedures and technical means applied to it? Or, on the other hand, to what point does the choice of procedures and specific techniques determine a poetic craft? In Western theater, the theme of crossing technical procedures with the construction of a poetic speech started to be problematized as from the 19th century with the arrival of staging. That made way for the construction of a new dialogue between staging and pedagogy and the development of various reflections on the actors work. Suzuki...