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Barber Guillaume Ladoucette has always enjoyed great success in his tiny village in southwestern France, catering to the tonsorial needs of Amour-sur-Belle's thirty-three inhabitants. But times have changed. His customers have grown older--and balder. Suddenly there is no longer a call for Guillaume's particular services, and he is forced to make a drastic career change. Since love and companionship are necessary commodities at any age, he becomes Amour-sur-Belle's official matchmaker and intends to unite hearts as ably as he once cut hair. But alas, Guillaume is not nearly as accomplished...

Brutalism had its origins in "beton brut" concrete in the raw and thus in the post-war work of Le Corbusier. The British architects Alison and Peter Smithson used the term "New Brutalism" from 1953, claiming that if their house in Soho had been built, "it would have been the first exponent of the New Brutalism in England." Reyner Banham famously gave the movement a series of characteristics, including the clear expression of a building s structure and services, and the honest use of materials in their "as-found" condition. The Smithsons and Banham promoted the New Brutalism as ethic rather...