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"Women's Camera Work" explores how photographs have been and are used to construct versions of history and examines how photographic representations of otherness often tell stories about the self. In the process, Judith Fryer Davidov focuses on the lives and work of a particular network of artists linked by time, interaction, influence, and friendship--one that included Gertrude Kasebier, Imogen Cunningham, Dorothea Lange, and Laura Gilpin.
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Women's Camera Work" ranges from American women's photographic practices during the nineteenth and early twentieth centuries to a study of...

"Women's Camera Work" explores how photographs have been and are used to construct versions of history and examines how photographic representations of otherness often tell stories about the self. In the process, Judith Fryer Davidov focuses on the lives and work of a particular network of artists linked by time, interaction, influence, and friendship--one that included Gertrude Kasebier, Imogen Cunningham, Dorothea Lange, and Laura Gilpin.
"
Women's Camera Work" ranges from American women's photographic practices during the nineteenth and early twentieth centuries to a study of...

Judith Fryer's study of novelists Edith Wharton and Willa Cather is a rich examination of the actual and imagined spaces women inhabit, perceive, and create. Turning to the period of "America's coming of age," Fryer offers a woman-centered inquiry into an era whose traditional landmarks are the frontier, the rise of the city, and World War I.

Fryer draws her analysis from history, philosophy, environmental psychology, anthropology, sociology, and geography as well as from literature, architechure, and painting. The book's conceptual bonds are women's structures of the period: the...