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Juan Jose Lahuerta's Columns of Smoke series offers bold new readings of modernity and its key figures while redefining the connections between architecture, ornamentation, and the portrayal of both in print media. The third volume focuses on the Spanish architect Antoni Gaudi (1852-1926), whose spectacular fin-de-siecle bohemian modernism stood in revolutionary contrast to the leading approaches of the day.
With the rise of Le Corbusier's modern style of architecture in the early twentieth century, architects who favored ornamentation and a strong bond with nature, like Gaudi,...

Religious subject matter is not central in 20th century art. One might therefore suspect that, for the avantgarde, the Spanish Civil War (1936-1939) would have eclipsed religion altogether. However, as Juan Jose Lahuerta argues in this book, the war caused a considerable revival of certain themes of religious art. In particular, it intensified Pablo Picasso's lifelong preoccupation with the subject of the Crucifixion.

The work of the Swiss surrealist painter Max von Moos (1903-1979) throws additional light on the paradox at hand. In 1938, i.e. one year after Picasso painted...

This beautifully illustrated book, the catalog for an exhibition on view at the National Museum of Art of Catalonia in Barcelona and coorganized with the Picasso Museum in Paris, explores important affinities between Picasso and Romanesque art. Using two key moments as starting points, Juan Jose Lahuerta and Emilia Philippot first discuss the summer of 1906, when Picasso stayed in the village of Gosol in the Catalan Pyrenees, and then turn to 1934, as he visited the Romanesque art collections of what is today the National Museum of Art of Catalonia.
Picasso's discovery of the Romanesque...