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A scene of self-sacrifice can never be staged or secured. The work of Friedrich Holderlin, arguably one of the most profound writers of the German Enlightenment, supports this idea in fascinating ways. Much of Holderlin s critical reception, however, has the poet saying the exact opposite. Joseph Suglia counters the dominant critical reception of Holderlin s Empedokles fragments, which would transform the tragic hero s experience of mortality into a project that would be accomplished in the name of the transcendent reconciliation of disparate spheres.
This book also focuses...