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Stock's study offers the first book-length account of Huju, a Shanghai operatic tradition which blends music and acting with portrayal of the lives of ordinary people. Richly informed by first-hand accounts, the book follows the genre as it develops in China's largest city from rural entertainment to urban ballad, revolutionary drama, and contemporary opera. An innovative combination of urban and historical ethnomusicology, the book will engage the historian of China and general scholar of music alike.

If the church is more than just a building, what could it mean to live in it--to inhabit it as a way of life? From their location in new monastic communities, Otto, Stock, and Wilson-Hartgrove ask what the church can learn from St. Benedicts vows of conversion, obedience, and stability about how to live as the people of God in the world. In storytelling and serious engagement with Scripture, old wisdom breathes life into a new monasticism. But, like all monastic wisdom, these reflections are not just for monks. They speak directly to the challenge of being the church in America today and the...

In The Oxford Handbook of Music in China and the Chinese Diaspora, twenty-three scholars advance knowledge and understandings of Chinese music studies. Each contribution develops a theoretical model to illuminate new insights into a key musical genre or context. This handbook is categorized into three parts. In Part One, authors explore the extensive, remarkable, and polyvocal historical legacies of Chinese music. Ranging from archaeological findings to the creation of music history, chapters address enduring historical practices and emerging cultural expressions. Part Two focuses on...