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This book takes a critical look at the work of one of the twentieth century's most influential playwrights from the viewpoint of those whose job it is to give the work life on stage. From personal experience of over seventy productions, from interviews with numerous Beckett actors and directors, and in rare conversations with the playwright himself, Kalb addresses such fundamental questions as: Is the task of performing Beckett categorically different from that of performing other forms of theater? Is the audience's role different, and if so, how? The result is a new insight into particular...

For more than 15 years Jonathan Kalb has been a singularly perceptive commentator on American and European theatre. These essays and reviews, by the 1991 winner of the George Nathan Award for Dramatic Criticism, set a new standard for theatre writing today. This collection begins with a brave and piercing appraisal of the state of current theatre criticism, in a section Kalb characteristically calls 'Critical Mess'. He goes on to revisit the work of Samuel Beckett, as performed in well-meaning efforts to bring it to a new, wider (TV) audience; to consider today's political theatre,...

This is the first comprehensive English-language study of the world of Heiner Muller. Widely regarded as Bertolt Brecht's spiritual heir and as one of the most important German playwrights of the 20th century, Muller wrote almost all his plays in direct response to other literary works, posing ever more radical challenges to prevalent notions of originality and appropriation. In his book Jonathan Kalb analyses Muller's basic artist method: taking on the mantle of other writers and inhabiting the 'bodies' of their works like a vampire or a historically subversive virus. His artist-hosts...