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This book focuses on the way the biblical writers used allusive soundplay to construct theological discourse, that is, in service of their efforts to describe the nature of God and God's relationship to humanity. By showing that a variety of biblical books contain examples of allusive soundplay employed for this purpose, Kline demonstrates that this literary device played an important role in the growth of the biblical text as a whole and in the development of ancient Israelite and early Jewish theological traditions.

This book focuses on the way the biblical writers used allusive soundplay to construct theological discourse, that is, in service of their efforts to describe the nature of God and God's relationship to humanity. By showing that a variety of biblical books contain examples of allusive soundplay employed for this purpose, Kline demonstrates that this literary device played an important role in the growth of the biblical text as a whole and in the development of ancient Israelite and early Jewish theological traditions.

Meredith G. Kline is famous in the Reformed community
for his teaching and writings in the area of biblical and
covenant theology. In the mid-1990s, just after Kline finished
writing what is considered to be his magnum opus (a study
of the book of Genesis called Kingdom Prologue), he wrote a
brief commentary on the same biblical text. Genesis: A New
Commentary was not published during his lifetime and is just
now being made available to the public.

Many of Kline s former students, as well as many pastors and
laypeople in the Reformed...