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The young John Zaradin felt driven to make his life in music against all 'sensible' career advice offered by his peers and parents. An interest in philosophy led him to a circle of creative people dedicated to self-development. They demonstrated to him that a life in the arts was indeed possible, if he worked with some tried and tested guidelines. These included - in addition to all aspects of music, its performance and the business of survival - a rigorous self-examination and a continual re-focusing on his stated aim. His choice to both listen and act on what he was absorbing helped him...