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In the late spring of 2008 the acclaimed Irish writer Nuala O' Faolain went on a national Irish radio programme to tell the Irish people that she was dying of cancer. She was frightened of death and of the short time left to her.

Here was a spokesperson for a generation which now conjured up an abyss for itself, reviewing a culture she had inhabited and helped to create one last time. She believed neither in an afterlife nor in God.

With Nuala O' Faolain's broadcast as his point of departure, Waters examines this trajectory of Irish Culture to this point of despair. How...

Carsick is the New York Times bestselling chronicle of a cross-country hitchhiking journey with America's most beloved weirdo

John Waters is putting his life on the line. Armed with wit, a pencil-thin mustache, and a cardboard sign that reads "I'm Not Psycho," he hitchhikes across America from Baltimore to San Francisco, braving lonely roads and treacherous drivers. But who should we be more worried about, the delicate film director with genteel manners or the unsuspecting travelers transporting the Pope of Trash?

Before he leaves for this bizarre...

His unique form and variety of style made the Ohio-born Purdy impossible to categorize in standard terms, though his unique, mercurial talent garnered him a following of loyal readers and made him in the words of Susan Sontag one of the half dozen or so living American writers worth taking seriously." Purdy s journey to recognition came with as much outrage andcondemnation as it did lavish praise and lasting admiration. Some early assessments even dismissed his work as that of a disturbed mind, while others acclaimed the very same work as healing and transformative. Purdy's fiction was...

The films of John Waters (b. 1946) are some of the most powerful send-ups of conventional film forms and expectations since Luis Bu-uel and Salvador Dali's Un Chien Andalou. In attempting to reinvigorate the experience of movie-going with his shock comedy, Waters has been willing to take the chance of offending nearly everyone. His characters have great dignity and resourcefulness, taking what's different or unacceptable or grotesque about themselves, heightening it and turning it into a handmade personal style. The interviews collected here span Waters's career from 1965 to 2010...