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The final book in the bestselling Books of Beginning trilogy that began with The Emerald Atlas, which the New York Times called "a new Narnia for the tween set."

The adventures of siblings Kate, Michael, and Emma come to a stunning conclusion when they must find the last Book of Beginning--the Book of Death--before the Dire Magnus does, for when all three books are united, their combined power will be unstoppable.

Soon Emma is on a journey to places both worldly and otherworldly, confronting terrifying monsters and ghosts, and what is darkest within herself. As...

This volume establishes a dialogue between East and West in children's literature scholarship. In all cultures, children's literature shows a concern to depict identity and individual development, so that character and theme pivot on questions of agency and the circumstances that frame an individual's decisions and capacities to make choices and act upon them. Such issues of selfhood fall under the heading subjectivity. Attention to the representation of subjectivity in literature enables us to consider how values are formed and changed, how emotions are cultivated, and how maturation is...

The main character, William, is a boy born to a hopeless single parent in Glasgow, Scotland, unwanted and largely ignored. Life is always a struggle for her. In the course of time she dies, leaving William with the man she had been living with. William is mistreated and bullied, and eventually runs away from home, penniless and with no idea where to go. He hides in a lorry going to London, where he begs in the streets for money or food. One day he meets up with a couple who are planning to make a documentary world-wide on animals and creatures in their habitat. The two people he meets in...

It's been six months since Kate, Michael and Emma confronted the Dire Magnus, but the trail to their long-lost family remains cold. Then Michael and Emma find the man who was the last person to see them. He knows about a secret map of a distant, mysterious land - maybe this is the clue that will lead them to their parents...

The main character, William, is a boy born to a hopeless single parent in Glasgow, Scotland, unwanted and largely ignored. Life is always a struggle for her. In the course of time she dies, leaving William with the man she had been living with. William is mistreated and bullied, and eventually runs away from home, penniless and with no idea where to go. He hides in a lorry going to London, where he begs in the streets for money or food. One day he meets up with a couple who are planning to make a documentary world-wide on animals and creatures in their habitat. The two people he meets in...

Ten years on, Kate, Michael and Emma have grown up in a string of miserable orphanages, and all memories of their parents have faded to a blur. Arriving at Cambridge Falls, the children quickly realise there is something different about this place - and Kate feels sure she has seen the dark, crooked house before.

Given the substantial impact of feminism on children's literature and culture during the last quarter century, it comes as no surprise that gender studies have focused predominantly on issues of female representation. The question of how the same patriarchal ideology structured representations of male bodies and behaviors was until very recently a marginal discussion. Now that masculinity has emerges as an overt theme in children's literature and film, critical consideration of the subject is timely, if not long overdue.

Ways of Being Male addresses this new concern...

After the tumultuous events of last winter, Kate, Michael, and Emma long to continue the hunt for their missing parents. But they themselves are now in great danger, and so the wizard Stanislaus Pym hides the children at the Edgar Allan Poe Home for Hopeless and Incorrigible Orphans. There, he says, they will be safe. How wrong he is.

The children are soon discovered by their enemies, and a frantic chase sends Kate a hundred years into the past, to a perilous, enchanted New York City. Searching for a way back to her brother and sister, she meets a mysterious boy whose fate is...

This is the final instalment in the Books of Beginning series. Emma, Michael and Kate are locked in a race against time: to find their parents; to defeat the evil Dire Magnus; and to locate the final Book of Beginning. When all three books are united, their power will be unstoppable. Embarking on a perilous journey to the land of the dead, Emma is forced to confront terrifying monsters and ghosts. As the fabric of time begins to fray, she becomes the final piece of an extraordinary puzzle. Only she can master the Book of Death.

Given the substantial impact of feminism on children s literature and culture during the last quarter century, it comes as no surprise that gender studies have focused predominantly on issues of female representation. The question of how the same patriarchal ideology structured representations of male bodies and behaviors was until very recently a marginal discussion. Now that masculinity has emerges as an overt theme in children s literature and film, critical consideration of the subject is timely, if not long overdue

Ways of Being Male addresses this new concern...

Demonstrating the aesthetic, cultural, political, and intellectual diversity of children's literature across the globe, The Routledge Companion to International Children's Literature is the first volume of its kind to focus on the undervisited regions of the world. With particular focus on Asia, Africa, and Latin America, the collection raises awareness of children's literature and related media as they exist in large regions of the world to which 'mainstream' European and North American scholarship pays very little attention.

　

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This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.