John Potter (University of York) - książki

	A History of Singing ISBN: 9781107630093 / Angielski / Miękka / 2014 / 358 str. ISBN: 9781107630093/Angielski/Miękka/2014/358 str. Termin realizacji zamówienia: ok. 22 dni roboczych (Bez gwarancji dostawy przed świętami) John Potter (University of York);Neil Sorrell (University of York) Why do we sing and what first drove early humans to sing? How might they have sung and how might those styles have survived to the present day? This history addresses these questions and many more, examining singing as a historical and cross-cultural phenomenon. It explores the evolution of singing in a global context from Neanderthal Man to Auto-tune via the infinite varieties of world music from Orient to Occident, classical music from medieval music to the avant-garde and popular music from vaudeville to rock and beyond. Considering singing as a universal human activity, the book provides... Why do we sing and what first drove early humans to sing? How might they have sung and how might those styles have survived to the present day? This h...

	cena: 130,31

	Community Justice ISBN: 9781032488578 / Angielski ISBN: 9781032488578/Angielski Termin realizacji zamówienia: ok. 22 dni roboczych (Bez gwarancji dostawy przed świętami) City University of New York) Clea Todd R. (John Jay College

	cena: 227,80

	Women and Dramatic Production 1550 - 1700 ISBN: 9780582319820 / Angielski / Miękka / 2000 / 238 str. ISBN: 9780582319820/Angielski/Miękka/2000/238 str. Termin realizacji zamówienia: ok. 22 dni roboczych (Bez gwarancji dostawy przed świętami) Alison Findlay;Gweno (University Of Ripon And York St John) Williams;Stephanie (University Of Sunderland) Wright There is a traditional view that women were absent from the field of dramatic production in the early modern period because of their exclusion from professional theatre. Women and Dramatic Production 1550-1700 challenges this view and breaks new ground in arguing that, far from writing in closeted retreat, a select number of women took an active part in directing and controlling dramatic self-representations. Examining texts from the mid-sixteenth century through to the end of the seventeenth, the chapters trace the development of a women-centred aesthetic in a variety of... There is a traditional view that women were absent from the field of dramatic production in the early modern period because of their exclusion from...

	cena: 319,91

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