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Challenging the dominant account of medical law as normatively and conceptually subordinate to medical or bioethics, this book provides an innovative account of medical law as a rhetorical practice. The aspiration to provide a firm grounding for medical law in ethical principle has not yet been realized. Rather, legal doctrine is marked, if anything, by increasingly evident contradiction and indeterminacy that are symptomatic of the inherently contingent nature of legal argumentation. Against the idea of a timeless, placeless ethics as the master discipline for medical law, this book...

For over 150 years, Irish playwrights, beginning with Dion Boucicault, have been celebrated by American audiences. However, Irish theater as represented on the American stage is a selective version of the national drama, and the underlying causes for Irish dramatic success in America illuminate the cultural state of both countries at specific historical moments. Irish Theater in America is the first book devoted entirely to the long history of this transatlantic exchange.
Born out of the conference of the Irish Theatrical Diaspora project, this collection gathers together leading...

"Backgrounds and Criticism" is chronologically organized by playwright and includes prefaces, letters, journal entries, program notes, and interpretative essays for each play in the volume. In order to provide...

The right to health, having been previously neglected is now being deployed more and more often in litigation, activism and policy-making across the world. International bodies such as the WHO, UNAIDS, World Bank and WTO are increasingly using or being evaluated with reference to health rights, and international NGOs frequently use the language of rights in campaigning and in more concrete litigation.

This book brings together an impressive array of internationally renowned scholars in the areas of law, philosophy and health policy to critically interrogate the development...

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Over the years American -- especially New York -- audiences have evolved a consistent set of expectations for the "Irish play." Traditionally the term implied a specific subject matter, invariably rural and Catholic, and embodied a reductive notion of Irish drama and society. This view continues to influence the types of Irish drama produced in the United States today. By examining seven different opening nights in New York theaters over the course of the last century, John Harrington considers the reception of Irish drama on the American stage and explores the complex interplay between...

In September 1967, with the Vietnam War raging, Lieutenant Jim Doyle arrives at a small United States Air Force radar site in Nakhon Sarang, a town in central Thailand. He is the new administrative officer for the site, where the work is in support of the bombing of North Vietnam and Laos.

As the year wears on, Doyle must not only deal with the internal politics of the site's leaders, but also with troubled officers and airmen, his own conflicted feelings about the war, and his entanglements with several Thai women, some bawdy, and some uplifting. His confused emotions lead him...