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Much writing about comedy in the last twenty years has only trivialized comedy as cheap or as temporary distraction from things that "really matter." It has either presented exhaustive taxonomies of kinds of humor--like wit, puns, jokes, humor, satire, irony--or engaged in pointless political endgames, moral dialogues, or philosophical perceptions. Comedy is rarely presented as a mode of thought in its own right, as a way of understanding, not something to be understood.

Bruns' guiding assumption is that comedy is not simply a literary or theatrical genre, to be diff erentiated from...

• Presents a state-of-the-art collection of original readings relating to new media in terms of dynamic change
• Features interdisciplinary contributions encompassing the sciences, social sciences, humanities and creative arts
• Addresses a wide range of issues from the ownership and regulation of new media to their form and cultural uses
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