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"John Ashbery and You" approaches Ashbery s critically neglected recent poetry with an ear to his use of the supremely elastic pronoun you and an eye toward his construction of his books as books. Together, these devices produce effects new to Ashbery s oeuvre and offer readers new ways in to his work. "John Ashbery and You" argues that starting with "April Galleons" (1987), and reaching an apex in "Your Name Here" (2000), the poet has been paying increasingly keen and affectionate attention to his readers. Vincent tracks these techniques but above all offers his readers tools to...