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Combining a bent lyric perception with a fragmentation redolent of French cubism, Coletti portrays contemporary urban experience, from power relations and personal loss to nights among city dwellers recording their convivial distress, glad and dissolute at once. Part teddy bear fleeing the cultish outlines of the American northwest, part Apollinaire in Brooklyn, Coletti culls his materials from the ether and assembles them into resonant structures at once intensely personal and strangely universal--a little outrageous--both confusingly lovely and apt in their ungainliness. Lines like -I'm...

For the first time, a group of distinguished authors come together to provide an authoritative exploration of the cultural history of tragedy in the Middle Ages. Reports of the so-called death of medieval tragedy, they argue, have been greatly exaggerated; and, for the Middle Ages, the stakes couldn't be higher. Eight essays offer a blueprint for future study as they take up the extensive but much-neglected medieval engagement with tragic genres, modes, and performances from the vantage points of gender, politics, theology, history, social theory, anthropology, philosophy, economics, and...