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Building on art-historian Bernard Smith's insights about modernism's debts to the high imperial occult and exotic, this book explores the transcultural, 'anti-modern vitalist', and magical-syncretic dimensions of the arts of the period 1880-1960. Avoiding simplistic hypotheses about 're-enchantment', it tracks the specifically modernist, not the occult revivalist or proto-New Age, manifestations of the occult-syncretic-exotic conglomerate. The focus is high empire, where the 'Buddhist' Schopenhauer cult and Theosophy, the last aided by Bergson, Nietzsche and neo-Vedanta, brought contrasting...

While everyone knows the story of Jonah, the man swallowed by a whale because he refused to do Gods will, but to explain why Jonah was mad at God, and why 'God didn't keep His word' and destroy an evil city can be very confusing. By illustrating this story and using a harmless mouse in rhythmic language, all ethnic prejudices are removed yet its integrity remains. This then is our motto and mission statement: To publish books that Jesus could and would enjoy reading and not be embarrassed or ashamed by its content.