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In seventeenth-century England, intellectuals of all kinds discovered their idealized self-image in the Adam who investigated, named, and commanded the creatures. Reinvented as the agent of innocent curiosity, Adam was central to the project of redefining contemplation as a productive and public labor. It was by identifying with creation's original sovereign, Joanna Picciotto argues, that early modern scientists, poets, and pamphleteers claimed authority as both workers and "public persons."

Tracking an ethos of imitatio Adami across a wide range of disciplines and devotions,...

This path-breaking book explores different ways in which writing about poetry can deepen and extend our critical engagement by deploying creatively the manifold resources of poetic language and form. Through a series of verse-essays, reflective monologues, and inventive variations on topics in literary theory The Winnowing Fan makes a strong case for revising received ideas about the scope and limits of criticism.
Norris's poems traverse the full range of European poetic history from Homer's Odyssey, through the work of French symbolists such as Mallarme, to modern writers...

What if the Renaissance had the right idea about character? Most readers today think that characters are individuals. Poets of the Renaissance were working with an ancient understanding of character as type. They thought the job of a character was to collect every example of a kind.
Character as Form celebrates the old meaning of character. The advantage of the old meaning is that it allows for generalization. Characters funnel whole societies of beings into shapes that are compact, elegant, and portable.
Reading backwards, using a personal canon of poems, novels, comics, and...

Through a series of poetic responses and critical reflections, Ceaseless Music explores the afterlives of Wordsworth's landmark autobiographical poem The Prelude in literature, philosophy and life writing, together with the insights it can offer into the writing of poetry today.

Beginning with an exploration of the poem's genesis, from draft versions found in Wordsworth's notebooks onwards, the book goes on to sound out The Prelude's radical versions of selfhood through its attention to the 'musics' of place and of experience. The scope of the book ranges from...

What if the Renaissance had the right idea about character? Most readers today think that characters are individuals. Poets of the Renaissance were working with an ancient understanding of character as type. They thought the job of a character was to collect every example of a kind.
Character as Form celebrates the old meaning of character. The advantage of the old meaning is that it allows for generalization. Characters funnel whole societies of beings into shapes that are compact, elegant, and portable.
Reading backwards, using a personal canon of poems, novels, comics, and...