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Shadows of Berlin is, in part, a bleak chronicle of life in Europe growing ever more hostile at the edge of World War II, part mythic parable. Bergelson's stories--passionate, honest, dark and often hilarious--hint at the possibility of redemption even as they suggest a horror just around the corner.

"David Bergelson's Berlin stories reveal a moment of incredible possibility in Jewish culture--a time when some of the greatest Yiddish writers of the day saw the German capital as a beacon for progressive, modernist creative artists. In the course of one brief...

The Torch in My Ear is the account of Canetti's young manhood, of his arrival in Vienna in the early 1920s, of his schooling, and of the beginning of his life as a writer.

Hesse's famous and influential novel, Siddartha, is perhaps the most important and compelling moral allegory our troubled century has produced. Integrating Eastern and Western spiritual traditions with psychoanalysis and philosophy, this strangely simple tale, written with a deep and moving empathy for humanity, has touched the lives of millions since its original publication in 1922. Set in India, Siddhartha is the story of a young Brahmin's search for ultimate reality after...

In 1928, Georges Bataille published this first novel under a pseudonym, a legendary shocker that uncovers the dark side of the erotic by means of forbidden obsessive fantasies of excess and sexual extremes. A classic of pornographic literature, Story of the Eye finds the parallels in Sade and Nietzsche and in the investigations of contemporary psychology; it also forecasts Bataille's own theories of ecstasy, death and transgression which he developed in later work.

Heschel's classic work on Maimonides, originally published in Berlin during the thirties, in one of the few scholarly biographies available of the great medieval philosopher.

Considered by many to be the greatest Yiddish drama, A DYBBUK recounts the tale of a wealthy man's daughter possessed by the spirit of her dead beloved.

"The translation of Joachim Neugroschel, savvily adapted by Tony Kushner, and now further revised by him as A DYBBUK OR BETWEEN TWO WORLDS, all come funnily, furiously, crotchetily alive."
John Simon, New York Magazine

"Kushner's contemporary reading has served to burnish the original's mixture of spiritual exhalation and material poverty, abstract symbolism and exotic superstition."
J Hoberman, The Forward

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