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Objects such as statues and icons have long been problematic in the study of religion, especially in European Christianities. Through examining two groups, the contemporary Pagan Glastonbury Goddess religion in the Southwest of England and a cult of the Virgin Mary in Andalusia, Spain, Amy Whitehead asserts that objects can be more than representational or symbolic. In the context of increasing academic interest in materiality in religions and cultures, she shows how statues, or 'things', are not always interacted with as if they are inert material against which we typically define...

Objects such as statues and icons have long been problematic in the study of religion, especially in European Christianities. Through examining two groups, the contemporary Pagan Glastonbury Goddess religion in the Southwest of England and a cult of the Virgin Mary in Andalusia, Spain, Amy Whitehead asserts that objects can be more than representational or symbolic. In the context of increasing academic interest in materiality in religions and cultures, she shows how statues, or 'things', are not always interacted with as if they are inert material against which we typically define...

Englische Literatur in der Reihe »Fremdsprachentexte Reclam XL - Text und Kontext«: Das ist der englische Originaltext, ungekürzt und unbearbeitet, mit überwiegend einsprachigen Worterläuterungen sowie Zusatzmaterial auf Englisch im Anhang.

Der schwarze Jugendliche Elwood Curtis gibt sich im Florida der 1960er Jahre alle Mühe, trotz Diskriminierung etwas aus seinem Leben zu machen. Doch durch ein fatales Missverständnis landet er an einer Schule für straffällig gewordene Jugendliche, der Nickel Academy. Bald wird ihm klar, dass die vielgelobte Reformschule ein dunkles...

In 1974, this renowned artist's artist, packed and sealed with rope and wax, a dynamite crate of Atlas Powder's. The top carved: "All Fool's Day 1974 closed Open 2000"

Was it his intent the crate not be opened until his death? Perhaps. It remained unopened for forty years, contents unknown. Wrapped in fishing nets, protected by hooks and anchors was artistic gold - his sketchbooks from 1956-1974. Widely known, controversial, iconoclastic and often imitated by those in his sphere, little is known of his immense body of work. Literally thousands of oils, acrylics, watercolors,...