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An important trade center in the medieval Mediterranean, Amalfi and its surrounding regions sustained impressive art production and patronage from the eleventh through thirteenth centuries. With the rise of the Angevin kingdom, however, a demise of Amalfi's eclectic art tradition took place and, by the fourteenth century, its painting and sculpture reflected compromises between local and Neapolitan styles, demonstrating the erosion of its autonomy.

This volume approaches the problem of the canonical "center" by looking at art and architecture on the borders of the medieval world, from China to Armenia, Sweden, and Spain. Seven contributors engage three distinct yet related problems: margins, frontiers, and cross-cultural encounters. While not displaying a unified methodology or privileging specific theoretical constructs, the essays emphasize how strategies of representation articulated ownership and identity within contested arenas. What is contested is both medieval (the material evidence itself) and modern (the scholarly traditions...