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Jia Jiang came to the United States with the dream of being the next Bill Gates. But despite early success in the corporate world, his first attempt to pursue his entrepreneurial dream ended in rejection. Jia was crushed, and spiraled into a period of deep self doubt. But he realized that his fear of rejection was a bigger obstacle than any single rejection would ever be, and he needed to find a way to cope with being told no without...

Yinyuan claimed to have inherited the "Authentic Transmission of the Linji Sect." After arriving in Japan, he was able to persuade the Shogun to build a new Ming-style monastery for the...

One of the key motivations and goals for China's social and economic development is the dual carbon target. Building is one of the most important sectors to reduce emissions and save energy, accounting for more than 20% of China's primary energy consumption and carbon emissions.

This book analyzes the energy consumption of China's buildings sector in four categories, their characteristics and technologies to improve energy efficiency, and examines the greenhouse gas emissions of China's buildings, including building construction embodied emission and building operation emissions....

Are there Buddhist conceptions of the unconscious? If so, are they more Freudian, Jungian, or something else? If not, can Buddhist conceptions be reconciled with the Freudian, Jungian, or other models? These are some of the questions that have motivated modern scholarship to approach alayavijnana, the storehouse consciousness, formulated in Yogacara Buddhism as a subliminal reservoir of tendencies, habits, and future possibilities.

Tao Jiang argues convincingly that such questions are inherently problematic because they frame their interpretations of the Buddhist notion largely in...

This ground-breaking volume documents women's influence on popular culture in twentieth-century China by examining Yue opera. A subgenre of Chinese opera, it migrated from the countryside to urban Shanghai and morphed from its traditional all-male form into an all-female one, with women cross-dressing as male characters for a largely female audience.

Yue opera originated in the Zhejiang countryside as a form of story-singing, which rural immigrants brought with them to the metropolis of Shanghai. There, in the 1930s, its content and style transformed from rural to urban, and its cast...