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Existing at the intersection of darkness and play, the noisy, irreverent, and self-conscious poems in Interrobang take clinical phobias and clinical philias as their conceit. Each poem makes its own music, the crescendos and decrescendos born of obsessions over anxiety and lust. Encompassing a range of forms (but mostly sonnets), each piece toes the line between traditional meter and contemporary sonic play, while a tell-tale heart beats beneath the floor of the collection, constantly reminding us of our shames, fears, and the clock s unrelenting ticking. Through individual stories...