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This work examines a selection of film series representative of three periods in American film history: silent cinema, Classic Hollywood cinema, and the post-Classic or New Hollywood cinema.

In his discussion of clowns in nineteenth-century French painting from Jean-Léon Gérôme’s 1857 La Sortie du bal masqué to Georges Rouault, art historian Francis Haskell wondered why they are so sad. The myth of the sad clown as an allegory for the unappreciated artist found echoes in the work of literary counterparts like Charles Baudelaire and his "Vieux saltimbanque" who seeks in vain a responsive public. For some, the attraction of the acrobatic clown for the creative imagination may have been his ability to embody the plight of the artist: these　artistes　generally led an...

While the popular press has criticized movie remakes as signs of Hollywood's collective lack of imagination, the essays in Dead Ringers reveal the centrality and staying power of remakes as a formative genre in filmmaking. The contributors show that the practice of remaking films dates back to the origins of cinema and the evolution of film markets. In fact, remakes were never so prevalent as during the Classic Hollywood period, when filmmaking had achieved its greatest degree of industrialization, and they continue to play a crucial role in the development of film genres generally. Offering...

Con una gran cantidad de contenido digital, este libro de curso digital ampliado y basado en conceptos se ha desarrollado en cooperacion con el IB para proporcionar el apoyo mas completo para el programa de estudios de Matematicas del PD de 2019: aplicaciones e interpretacion NM.