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This book contends that Shakespeare's so-called "problem plays" can be viewed as experiments in the Mannerist style. The plays reappraised here are Julius Caesar, Hamlet, Troilus and Cressida, All's Well That Ends Well and Measure for Measure. Maquerlot reveals intriguing analogies between Shakespeare's plays and the structural ambiguity of certain Italian Mannerist paintings, establishing the relevance to drama of a concept imported from the field of visual art.

This book contends that Shakespeare's so-called "problem plays" can be viewed as experiments in the Mannerist style. The plays reappraised here are Julius Caesar, Hamlet, Troilus and Cressida, All's Well That Ends Well and Measure for Measure. Maquerlot reveals intriguing analogies between Shakespeare's plays and the structural ambiguity of certain Italian Mannerist paintings, establishing the relevance to drama of a concept imported from the field of visual art.

Interconnections between voyage narratives and travel plays in Shakespeare's era.

This book explores interconnections between voyage narratives and travel plays in a period of intense foreign relations and the incipient colonization of the New World. Eminent Renaissance scholars use historical enquiry and textual analysis to offer new readings of narrative and dramatic texts, such as The Spanish Tragedy, Dr. Faustus, Eastward Ho or The Tempest, together with relatively obscure works. They are envisaged both in the context of the period and from the far-reaching perspective of Britain's cultural history.