Wyniki wyszukiwania:

To the great lords of her time as well as the politicians of the Church expediency was God. So the Maid had to die. So to Warwick and Cauchon, her life has the'somewhat artificial, and certainly impersonal, quality of a play. Short scenes from it are played out during the trial as they struggle to turn her simplicity into heresy. But it is the glory of her life rather than the tragedy that is the triumphant climax of the play.

Jean Anouilh, one of the foremost French playwrights of the twentieth century, replaced the mundane realist works of the previous era with his innovative dramas, which exploit fantasy, tragic passion, scenic poetry and cosmic leaps in time and space. Antigone, his best-known play, was performed in 1944 in Nazi-controlled Paris and provoked fierce controversy. In his allegorical tale, Antigone defies the tyrant Creon and is sent to her death. Antigone conveyed to Anouilh's compatriots a covert message of heroic resistance to Nazi occupation; but the author's characterisaation...

The great French playwright Jean Anouilh (1910-87) wrote both "pink" bittersweet comedies and "black" tragic dramas. Jean Anouilh Five Plays--the finest English-language anthology of his works--crackles with both his sharp wit and his icy cynicism. In Antigone, his preeminent play and exemplar of his themes and style, he creates a disturbing world in which fate may be no more than a game of role-playing. Eurydice, The Ermine, The Rehearsal, Romeo and Jeannette are the other plays included in this edition.

Produced in modern dress in New York with Katherine Cornell and Sir Cedric Hardwicke, the Galantiere version of the Greek legend comes from a Paris that suffered under the heel of tyranny. The play's parallels to modern times are exciting and provocative.

"Its dimensions are noble, its intentions uncompromising."-Southwestern University, Texas

Throughout his long and prolific career as one of France's leading modern dramatists, Jean Anouilh has been fascinated by the theme of the fragility of youthful idealism. Is it possible for the illusions of adolescence to accommodate the compromises and hard truths of middle age? Can love survive in an absolute form, as the young may be led to hope by some of the most venerable fables of European literature and of Greek mythology? Indeed can love survive in any form whatsoever? Modern French theatre in particular has been drawn to Greek myth as a vehicle for an examination of eternal human...