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Critical Practice is an ambitious work that blurs the boundaries between art history, museum studies, political science and applied ethics. Marstine demonstrates how convergences between institutional critique and socially engaged practice, as represented by the term critical practice, can create conditions for organisational change, particularly facilitating increased public agency and shared authority. The book analyses a range of museum interventions exploring such subjects as the ethical stewardship of collections, hybridity as a methodological approach to social justice and...

• Contains 12 original essays that contribute to the field while creating a collective whole for course use.
  
• Discusses theory through vivid examples and historical overviews.
  
• Offers guidance on how to put theory into practice.
  
• Covers a range of museums around the world: from art to history, anthropology to music, as well as historic houses, cultural centres, virtual...

Critical Practice is an ambitious work that blurs the boundaries between art history, museum studies, political science and applied ethics. Marstine demonstrates how convergences between institutional critique and socially engaged practice, as represented by the term critical practice, can create conditions for organisational change, particularly facilitating increased public agency and shared authority. The book analyses a range of museum interventions exploring such subjects as the ethical stewardship of collections, hybridity as a methodological approach to social justice and...

• Contains 12 original essays that contribute to the field while creating a collective whole for course use.
  
• Discusses theory through vivid examples and historical overviews.
  
• Offers guidance on how to put theory into practice.
  
• Covers a range of museums around the world: from art to history, anthropology to music, as well as historic houses, cultural centres, virtual...

This book considers key ethical questions in museum policy and practice, particularly those related to issues of collection and display. What does a collection signify in the twenty-first century museum? How does an engagement with immateriality challenge museums concept of ownership, and how does that immateriality translate into the design of exhibitions and museum space? Are museums still about safeguarding objects, and what does safeguarding mean for diverse individuals and communities today? How does the notion of the museum as a performative space challenge our perceptions of the...