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The most powerful films have an afterlife. Their sensory appeal and their capacity to elicit involvement in story, character and conflict reaches beyond the screen to subtly reframe the way spectators view ethical issues and agents within the narrative, and in the world outside the cinema. Pulling Focus: Intersubjective Experience and Narrative Film questions how cinematic narratives relate to and affect ethical life. Extending Martha Nussbaum and Wayne Booth's work on moral philosophy and literature to consider cinema, Dr. Stadler shows that film spectatorship can be understood as a model...

Presenting a manner of thinking on both sides of the screen, this review offers screen enthusiasts the analytical and theoretical vocabulary required to articulate responses to film and television. It provides guidelines for developing the skills to understand and analyze how and why a screen text was shot, scored, and edited in a particular way, as well as for considering what impact those production choices might have on the audience. Production techniques and approaches to screen analysis are presented in a historical context. Other topics discussed include recent technological...