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Giovanni Orelli's docufictional phantasmagoria revisits a lesser-known painting by Paul Klee titled "Alphabet I," which features black letters and symbols scrawled over the sports page of a newspaper reporting the results of the 1938 Swiss National Cup. This play of coincidences sets the stage for Orelli's encyclopedic portrait of European culture under Nazism, where a motley crew of philosopher-peasants as well as historical luminaries like Arthur Schopenhauer, Vincent van Gogh, Viktor Shklovsky, Marina Tsvetaeva, Klee himself, and the titular footballer Eugene Walaschek all meet at the...

-Utterly sublime.---Maaza Mengiste, author of Beneath the Lion's Gaze

Adua, an immigrant from Somalia to Italy, has lived in Rome for nearly forty years. She came seeking freedom from a strict father and an oppressive regime, but her dreams of becoming a film star ended in shame. Now that the civil war in Somalia is over, her homeland beckons. Yet Adua has a husband who needs her, a young man, also an immigrant, who braved a dangerous crossing of the Mediterranean Sea. When her father, who worked as an interpreter for Mussolini's fascist regime, dies, Adua inherits the...