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This anthology brings together essential essays on major facets of narrative dynamics, that is, the means by which "narratives traverse their often unlikely routes from beginning to end." It includes the most widely cited and discussed essays on narrative beginnings, temporality, plot and emplotment, sequence and progression, closure, and frames. The text is designed as a basic reader for graduate courses in narrative and critical theory across disciplines including literature, drama and theatre, and film.

Narrative Dynamics includes such classic exponents as E. M. Forster...

In the early 20th century, the audience was seen as a mass of people, mostly unknown to one another, that was unified through exposure to media. This concept is now accepted. This book looks into the meaning of audience. Media scholars have qustioned the utility of the mass audience concept, characterizing it as insensitive to differences among audience members, arguing that it serves only a narrow set of industrial interests. The authors of this volume offer the opinion that these assertions are often false and unwarranted either by the historical record or by contemporary industrial...

In the early 20th century, the audience was seen as a mass of people, mostly unknown to one another, that was unified through exposure to media. This concept is now accepted. This book looks into the meaning of audience. Media scholars have qustioned the utility of the mass audience concept, characterizing it as insensitive to differences among audience members, arguing that it serves only a narrow set of industrial interests. The authors of this volume offer the opinion that these assertions are often false and unwarranted either by the historical record or by contemporary industrial...