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At the heart of this book is a previously unpublished account of Ben Jonson's celebrated walk from London to Edinburgh in the summer of 1618. This unique firsthand narrative provides us with an insight into where Jonson went, whom he met, and what he did on the way. James Loxley, Anna Groundwater and Julie Sanders present a clear, readable and fully annotated edition of the text. An introduction and a series of contextual essays shed further light on topics including the evidence of provenance and authorship, Jonson's contacts throughout Britain, his celebrity status, and the relationships...

An accessible edition of a recently discovered account of Ben Jonson's walk to Edinburgh with full annotation and contextual essays.

English literary history has long incorporated the category of 'Cavalier' verse, and the critical presuppositions that have shaped such a category continue, even now, to determine the ways in which much civil war writing is read. Through a detailed study of both manuscript and printed texts, James Loxley arrives at an account of the interaction between poetry and royalist political activity which for the first time presents a sustained and coherent challenge to such presuppositions.

Do our writings and our utterances reflect or describe our world, or do they intervene in it? Do they, perhaps, help to make it? If so, how? Within what limits, and with what implications? Contemporary theorists have considered the ways in which the languages we speak might be performative in just this way, and their thinking on the topic has had an important impact on a broad range of academic disciplines.

In this accessible introduction to a sometimes complex field, James Loxley:

• offers a concise and original account of critical debates around the idea of...

This book will constitute an original intervention into longstanding but insistently relevant debates around the significance of notions of 'performativity' to the critical analysis of early modern drama.

In particular, the book aims to:

• show how the investigation of performativity can enable readings of Shakespeare and Jonson that challenge the dominant methodological frameworks within which those plays have come to be read;

• demonstrate that the thought of performativity does not come to rest in the simplicity of...

Next to Shakespeare, Ben Jonson is perhaps the most widely studied Renaissance dramatist. Very few students of literature or drama would not encounter Volpone or Bartholomew Fair in the course of their studies, and there has been a recent resurgence of interest in Epicoene, or the Silent Woman amongst gender theorists. As part of The Complete Critical Guide series, this volume offers the broadest range of information on Jonson and his works, from background on contexts to details of interpretations of his plays.

Stanley Cavell: Philosophy, literature, and criticism is the first book to offer a comprehensive examination of the relationship between the celebrated philosophical work of Stanley Cavell and the discipline of literary criticism. In this volume, the editors have assembled an impressive range of interlocutors who set out to explore the shape and substance of Stanley Cavell's persistent acknowledgement of the literary as a category in which, and through which, philosophical work can be undertaken. A number of essays address his engagements with modernism, tragedy, and romanticism, while others...