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Essays here explore the relationship between politics and explicitly political feature films from the beginning of the movie industry to World War I, and for each decade through to the 1980's. The included filmography is particularly useful. Originally published in 1990, the method of inquiry put forward in this text is nonetheless extendable to the decades following its publication.

To that end, we employ the conceptual power of pragmatic social theory and the rich idea of aesthesis to explore and...

Originally published in 1994, this important book traces the rise of film propaganda in the 20th Century, discussing specifically how film can be used to manipulate public perception and opinions. Two distinct areas are covered: war propaganda, including feature and documentary films regarding warfare; and civilian propaganda, including films that address a variety of political subjects. Although the focus is American film and American politics, this book offers insights for all those interested in the affect of film on the minds of citizens of any country or state.

Essays here explore the relationship between politics and explicitly political feature films from the beginning of the movie industry to World War I, and for each decade through to the 1980's. The included filmography is particularly useful. Originally published in 1990, the method of inquiry put forward in this text is nonetheless extendable to the decades following its publication.

Collecting together some of the best thinking about the relationship between movies and politics, this book, originally published in 1993, encourages an awareness of the political dimension of film, both for film scholars and those entering the film industry. Eight essays are grouped into four parts addressing political ideology and movie narrative, political myth in the movies, political history and movie culture, and political communication and the movies. An introductory essay, as well as prefatory remarks to each of the four parts, brings additional insight and perspective and puts the...

Originally published in 1994, this important book traces the rise of film propaganda in the 20th Century, discussing specifically how film can be used to manipulate public perception and opinions. Two distinct areas are covered: war propaganda, including feature and documentary films regarding warfare; and civilian propaganda, including films that address a variety of political subjects. Although the focus is American film and American politics, this book offers insights for all those interested in the affect of film on the minds of citizens of any country or state.

Should we take the idea of play seriously? Since the publication of Huizinga's "Homo Ludens" in 1938, a provocative literature has developed in philosophy and social science that does. Combs argues that we should understand play both as a generic concept with considerable power to explain human activity, and as a contemporary procept that demystifies some of the puzzling trends and innovations emerging in the quickly developing new social world of the 21st century.

Combs explores the thesis that play has a central role in our understanding of human activity and social and political...

Collecting together some of the best thinking about the relationship between movies and politics, this book, originally published in 1993, encourages an awareness of the political dimension of film, both for film scholars and those entering the film industry. Eight essays are grouped into four parts addressing political ideology and movie narrative, political myth in the movies, political history and movie culture, and political communication and the movies. An introductory essay, as well as prefatory remarks to each of the four parts, brings additional insight and perspective and puts the...

As the United States nears the twenty-first century, many of its citizens are troubled by the sense that something is wrong. Even though it is argued that our national situation is good, there persists the widespread feeling that somehow we are on the wrong social and historical track. It is the contention of this book that much of this dis-ease stems from our construction of a phony culture, a culture dominated by the value of the confidence man and woman.

The Political Pundits surveys in detail the small, elite group of persons who comment on and analyze politics in newspapers and newsmagazines, on radio and television, through lectures, books, and all other forms of political media. Dan Nimmo and James E. Combs discuss the key political role pundits play, their methods and strategies, and the potential danger they present to American political life. Our democracy is being transformed into a punditocracy, which replaces serious citizen debate with discussion guided by show business values. Punditry, Nimmo and Combs argue, produces...

The notion of society and politics as drama has drawn much attention in recent years. Yet despite the heritage begun by Aristophanes, few students of politics and the social order have taken comedy and comic inquiry seriously. This book revives the Aristophanic notion of democracy as comedy. Herein the reader will find why and how different aspects of American democracy--public opinion, interest groups, the presidency, and so on--are comic. It is the author's contention that the comic perspective offers insight and understanding on the actual operation of democracy. And they invite all...

The Political Pundits surveys in detail the small, elite group of persons who comment on and analyze politics in newspapers and newsmagazines, on radio and television, through lectures, books, and all other forms of political media. Dan Nimmo and James E. Combs discuss the key political role pundits play, their methods and strategies, and the potential danger they present to American political life. Our democracy is being transformed into a punditocracy, which replaces serious citizen debate with discussion guided by show business values. Punditry, Nimmo and Combs argue, produces...