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American drama is chiefly a drama of realistic family plays and its conventions revolve around the antagonistic impulses of security and freedom. Scanlan asserts that America's best plays are plays of family life and that they re-enact dilemmas of personal psychology and family structure.

Is the historical novel the outmoded genre that some people imagine--form inseparable from romanticism, nationalism, and the nineteenth century? In this stimulating volume, Margaret Scanlan answers a convincing "no," as she demonstrates the relevance of historical novels by well-known figures such as Anthony Burgess, John le Carr, Graham Greene, Doris Lessing, Iris Murdoch, and Paul Scott, as well as by less well established writers such as Joseph Hone and Thomas Kilroy. Scanlan shows what a skeptical, experimental approach to the relationship between history and fiction these writers...

Ireland and the Irish are beloved today in the United States, not the least because of the large Irish-American population. The Irish have contributed a great deal to the Western literary canon and to the arts, and their way of life on the Emerald Isle is fabled. "Culture and Customs of Ireland" is "the" source for those interested in learning about the real Ireland and how its culture and customs came to be. Scanlan has her finger on the pulse of the country as it booms into the twenty-first century. This insightful survey of the contemporary scene is a one-stop resource for country study...

For all his distance from formal philosophy, Fyodor Dostoevsky was one of the most philosophical of writers. In works from fictional masterpieces to little-known nonfiction prose, he grappled with the ultimate questions about the nature of humankind. His novels are peopled by characters who dramatize the fierce debates that preoccupied the Russian intelligentsia during the second half of the nineteenth century. What was the philosophy of Dostoevsky? How does reading this literary giant from a new perspective add to our understanding of him and of Russian culture?

In this remarkable...

Is literature dangerous? In the romantic view, writers were rebels--Shelley's -unacknowledged legislators of mankind---poised to change the world. In relation to twentieth-century literature, however, such a view becomes suspect. By looking at a range of novels about terrorism, Plotting Terror raises the possibility that the writer's relationship to actual politics may be considerably reduced in the age of television and the Internet.

Margaret Scanlan traces the figure of the writer as rival or double of the terrorist from its origins in the romantic conviction of the writer's...

In a beautiful Southern Spanish town, where the sea sparkles and orange blossoms scent the air, the gates of a brand new apartment complex, La Joya de Andalucia, glide open to welcome the new owners.

Anna and Austen MacDonald, an Irish couple, are preparing to enjoy their retirement to the fullest. But the demands of...

Is the historical novel the outmoded genre that some people imagine--form inseparable from romanticism, nationalism, and the nineteenth century? In this stimulating volume, Margaret Scanlan answers a convincing "no," as she demonstrates the relevance of historical novels by well-known figures such as Anthony Burgess, John le Carr, Graham Greene, Doris Lessing, Iris Murdoch, and Paul Scott, as well as by less well established writers such as Joseph Hone and Thomas Kilroy. Scanlan shows what a skeptical, experimental approach to the relationship between history and fiction these writers...

Van Halenare known for classic songs like Runnin with the Devil, "Panama, and Jump, but also for the drama surrounding the exits of its former members. While many have attempted to discover the secrets of Van Halen through an analysis of their musical role models, John Scanlan looks at deeper aesthetic and philosophical influences in Van Halen, a groundbreaking account of this extraordinary band.