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Messianism Against Christology: Resistance Movements, Folk Arts and Empire is a work committed to re-thinking the Christian tradition from the point of view of messianic movements of eco-sustainability and social justice rather than magnified individuals. Framed by considerations of political struggle and insurgent folk art in contemporary Detroit and ancient Ethiopia, the work concentrates its attention on the biblical tradition, teasing out memories of pastoral nomad resistance not entirely erased by the repressions of agricultural empires, that are revitalized in the prophetic...

In the prison business, all roads lead to Texas. A pioneer in criminal justice severity--from assembly-line executions to supermax isolation, from mandatory sentencing to prison privatization--Texas is the most locked-down state in the most incarcerated country in the world. Texas Tough, a sweeping history of American imprisonment from the days of slavery to the present, explains how a plantation-based penal system once dismissed as barbaric became a template for the nation.

Drawing on the individual stories as well as authoritative research, Texas Tough reveals the...

A highly original interpretation of the history of Western culture that presents a first in-depth analysis of the cultural impact of communication. Explains how the media have helped bring about economic, political, social, and intellectual progress.

Adopting the currently unfashionable theory that Western culture has improved over time, Perkinson argues that media of communication have played a pivotal role in helping to make things better. He shows how human speech, when it first emerged, enabled people both to understand better the world they inhabited and to construct political,...

Anyone who has strolled through the halls of a museum knows that portraits occupy a central place in the history of art. But did portraits, as such, exist in the medieval era? Stephen Perkinson s "The Likeness of the King" challenges the canonical account of the invention of modern portrait practices, offering a case against the tendency of recent scholarship to identify likenesses of historical personages as the first modern portraits.

Unwilling to accept the anachronistic nature of these claims, Perkinson both resists and complicates grand narratives of portraiture art that ignore...