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From the author of The Great Fire, a collection of stories about love and acceptance, expectations and disappointment

Shirley Hazzard's stories are sharp, sensitive portrayals of moments of crisis. Whether they are set in the Italian countryside or suburban Connecticut, the stories deal with real people and real problems.

In the title piece, a young widow is surprised and ashamed by her lack of grief for her husband.
In "A Place in the Country," a young woman has a passionate, guilty affair with her cousin's husband. In "Harold," a gawky, lonely young man finds...

Only those who keep their wit and affections about them will survive the mass conditioning of the Organization, where confusion solemnly rules and conformity is king. As in our world itself, humanity prevails in the courage, love, and laughter of singular spirits--of men and women for whom life is an adventure no Organization can quell, and whose souls remain their own.

In the words of Time magazine, "A near perfect novel...a small masterpiece" by the author of The Great Fire

Passionate undercurrents sweep in and out of this eloquent novel about a love affair in a summer countryside in Italy and its inevitable end. It takes place in a setting of pastoral beauty during a time of celebration--a festival.

Sophie, half English, half Italian, meets Tancredi, an Italian who is separated from his wife and family. In telling the story of their love affair, Shirley Hazzard punctures the placid surface of polite Italian...

In the aftermath of 9/11 Kevin Hazzard felt that something was missing from his life--his days were too safe, too routine. A failed salesman turned local reporter, he wanted to test himself, see how he might respond to pressure and danger. He signed up for emergency medical training and became, at age twenty-six, a newly minted EMT running calls in the worst sections of Atlanta. His...

When friends die, one's own credentials change: one becomes a survivor. Graham Greene has already had biographers, one of whom has served him mightily. Yet I hope that there is room for the remembrance of a friend who knew him-not wisely, perhaps, but fairly well-on an island that was "not his kind of place," but where he came season after season, year after year; and where he, too, will be subsumed into the capacious story.

For millennia the cliffs of Capri have sheltered pleasure-seekers and refugees alike, among them the emperors Augustus and Tiberius, Henry James, Rilke, and...

Katrina Hazzard-Gordon offers the first analysis of the development of the jook--an underground cultural institution created by the black working class--together with other dance arenas in African-American culture. Beginning with the effects of African slaves' middle passage experience on their traditional dances, she traces the unique and virtually autonomous dance culture that developed in the rural South. Like the blues, these secular dance forms and institutions were brought north and urbanized by migrating blacks. In northern cities, some aspects of black dance became integrated into...