Wyniki wyszukiwania:

This dazzling portrait of Johannesburg is one of the most haunting, poetic pieces of reportage about a metropolis since Suketu Mehta s Maximum City. Through precisely crafted snapshots, Ivan Vladislavic observes the unpredictable, day-today transformation of his embattled city: the homeless using manholes as cupboards, a public statue slowly cannibalized for scrap. Most poignantly he charts the small, devastating changes along the postapartheid streets: walls grow higher, neighborhoods are gated off, the keys multiply. Security insecurity? is the growth industry. Vladislavic, described as one...

Suitable for those who want to put their faith in a writer who knows - and loves - his city from the inside out: Suketu Mehta's "Maximum City", Edmund White's "The Flaneur", Orhan Pamuk's "Istanbul", and Joseph Brodsky's "Watermark".