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In 1910, innovative young Russian composer Igor Stravinsky was commissioned by Serge Diaghilev, director of the Ballets Russes, to create a completely new score. The dazzling result was The Firebird, which brought overnight success to its creator and distinguished him as the most gifted of the younger generation of Russian composers. According to Grove's Dictionary of Music and Musicians, the piece, based on a series of Russian fairy tales, has "all the coloring of a Russian child's picture book . . . brilliant orchestration, glowing color . . . an extraordinary evocative...

Commissioned by Serge Diaghilev for the Ballets Russes, Stravinsky's score for the ballet Petrushka was an immediate sensation at its Paris premiere in 1911. Brilliantly orchestrated in bold, unheard-of instrumental colors, this work is filled with Russian folksongs as well as new and striking harmonies. Alternately poignant and splendidly imposing, the score is one of the most popular and acclaimed works of the twentieth century.
Petrushka is published here in full score with English titling, stage directions, and a detailed table of contents. Ideal for study in the...

Stravinsky's ballet score for The Firebird launched his career as a composer after its Paris premiere in 1910. Although he extracted an orchestral suite the following year, the large orchestra required limited performances in the concert hall. World War I, the Russian Revolution and a move to Switzerland intervened before he was able to arrange a suitable concert suite for a normal-sized orchestra, which was given its premiere by Ernest Ansermet and the newly founded Orchestre de la Suisse Romande in April of 1919. Offered here is the first definitive newly engraved publication of...

Stravinsky's score for the ballet "Petrushka, " commissioned by Diaghilev for the Ballets Russes, was first performed in Paris in 1911 and was an immediate sensation with the public and the critics. It followed by a year the great success of his score for "The Firebird, " also produced by the Ballets Russes, and it confirmed Stravinsky's reputation as the most gifted of the younger generation of Russian composers.
The ballet had begun in Stravinsky's mind as a "picture of a puppet suddenly endowed with life, exasperating the patience of the orchestra with diabolical cascades of...