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The interdisciplinary essays gathered in this volume explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. Focusing on the Americas, they cast a new light on the role of music production, distribution, and consumption beyond the traditional paradigms of musical discourse.

Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. 'Hybridity, ' 'postnationalism, ' 'transnationalism, ' 'globalization, ' 'diaspora, ' and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped the way musical productions have been marketed worldwide in recent times. While the construction...

The cronica, or chronicle, which crosses the boundaries between fiction and nonfiction, literature and journalism, is a highly polemical and widely read form of writing in Mexico and throughout Latin America, where it plays an influential cultural, social, and historical role. For the first time, this book addresses the theory and practice of the chronicle in twentieth-century Mexico. Contributions by Mexican writers such as Carlos Monsivais and Elena Poniatowska and essays on a wide range of texts and authors provide diverse perspectives on the chronicle as a literary genre and as a cultural...