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If you want your family enterprise to prosper and carry on your legacy after you're gone, then you need to learn "The Metronome Method," a metaphor for the creation of a Family Agreement.

Hugh MacDonald, owner and founder of the Canadian Succession Protection Company, provides a fun approach to succession and estate planning with this guidebook. Relying on his background as a musician, he uses the metaphor of music and the metronome to show that a family needs to compose its own songbook in the form of a Family Agreement and rehearse it before their opening performance as owners....

Set in late-1920s Sydney Mines, Us & Them is the story of sixteen-year-old JW Donaldson, who interrupts his high school education to work in the coal mine to help support his family.

A fatal accident in the mine awakens JW to just how dangerous working conditions are and to how management seems to care more about production than about the men and boys who are the means of that production.

JW enlists the aid of union activist and local hero, JB McLachlan, and learns that even the young can be a positive voice for change.

If you want your family enterprise to prosper and carry on your legacy after you're gone, then you need to learn "The Metronome Method," a metaphor for the creation of a Family Agreement.

Hugh MacDonald, owner and founder of the Canadian Succession Protection Company, provides a fun approach to succession and estate planning with this guidebook. Relying on his background as a musician, he uses the metaphor of music and the metronome to show that a family needs to compose its own songbook in the form of a Family Agreement and rehearse it before their opening performance as owners....

Letter writing, by contrast, provided him with a freer outlet for creative expression, and his surviving correspondences number in the thousands. From that extraordinary output Hugh Macdonald has gathered some 500 letters that span the composer's life and chart the course of his artistic career. The first letter, written by a brash fifteen-year-old Berlioz to a group of music publishers, suggests that they bring out his work at their own expense. The last letter, in which Berlioz begs his brother-in-law for money, reveals the once-prodigious composer and writer reduced to a pathetic state...