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This was the first book to be published (1923) by C.M. Grieve, the author who became known as Hugh MacDiarmid. This is a collection of psychological studies, written in the aftermath of World War I. Some of the studies in this book are based upon the author's own life, and others explore both male and female viewpoints. The text also includes a range of short stories, mainly from the 1920s and 1930s, with vignettes in vernacular Scots, short plays, and a ballet scenario.

The drunk man lies on a moonlit hillside looking at a thistle, jaggy and beautiful, which epitomises Scotland's divided self. The man reflects on the fate of the nation, the human condition in general and his own personal fears. This book contains commentary and notes, and takes the reader through the author's complex and opaque use of language.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1969.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1969.

Hugh MacDiarmid’s Selected Poetry is an invaluable introduction to the work of a major poet who, despite the enthusiasm of T.S. Eliot and Ezra Pound, remains little known in the United States. MacDiarmid (1892-1978), universally recognized as the greatest Scottish poet since Robert Burns and the man responsible for reviving Scots as a literary language, was also the author of an enormous body of poems in English. As the noted critic and translator Eliot Weinberger writes of MacDiarmid’s work in his introduction: “There is nothing like it in modern literature, nothing even close. It is...