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How might the organic link between theatre-making and political action be revitalised? And how might a spontaneous vision of a theatre of and for ordinary people be reignited? Since his political exile from Argentina in 1977, theatre director and producer Horacio Czertok has devoted his life to re-imagining the art of the theatre, taking it out of its comfort zone into places of social conflict such as deprived suburban areas, prisons and mental hospitals, as well as open, public spaces, engaging directly with audiences in a spirit of abiding, carnivalesque, and deeply political theatrical...

How might the organic link between theatre-making and political action be revitalised? And how might a spontaneous vision of a theatre of and for ordinary people be reignited? Since his political exile from Argentina in 1977, theatre director and producer Horacio Czertok has devoted his life to re-imagining the art of the theatre, taking it out of its comfort zone into places of social conflict such as deprived suburban areas, prisons and mental hospitals, as well as open, public spaces, engaging directly with audiences in a spirit of abiding, carnivalesque, and deeply political theatrical...