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Ten years have passed since Muriel Axon was locked away for society's protection, but psychiatric confinement has only increased her malice and ingenuity. At last free, she sets into motion an intricate plan to exact revenge on those who had her put away. Her former social worker, Isabel, and her old neighbors have moved on, but Muriel, with her talent for disguise, will infiltrate their homes and manipulate their lives, until all her enemies are brought together for a gruesome finale. Hilary Mantel's razor-sharp wit animates every page of this darkly comic tale of retribution.

Shortlisted for the Women's Prize for Fiction 2020 Longlisted for the Booker Prize 2020 The Sunday Times bestselling sequel to Wolf Hall and Bring Up the Bodies, the stunning conclusion to Hilary Mantel's Man Booker Prize-winning Wolf Hall trilogy. A Guardian Book of the Year * A Times Book of the Year * A Daily Telegraph Book of the Year * A Telegraph Book of the Year * A Sunday Times Book of the Year * A New Statesman Book of the Year * A Spectator Book of the Year 'It is a book not read, but lived' Telegraph 'Her Cromwell novels are, for my money, the greatest...

New York Times Book Review Notable Book of the Year
Los Angeles Times Best Book of the Year

London, 1782: center of science and commerce, home to the newly rich and the desperately poor. In the midst of it all is the Giant, O'Brien, a freak of nature, a man of song and story who trusts in myths, fairies, miracles, and little people. He has come from Ireland to exhibit his size for money. O'Brien's opposite is a man of science, the famed anatomist John Hunter, who lusts after the Giant's corpse as a medical curiosity, a boon to the advancement of...

By the Booker Prize-Winning Author of WOLF HALL

Evelyn Axon is a medium by trade; her daughter, Muriel, is a half-wit by nature. Barricaded in their crumbling house, surrounded by the festering rubbish of years, they defy the curiosity of their neighbors and their social worker, Isabel Field. Isabel is young and inexperienced and has troubles of her own: an elderly father who wanders the streets, and a lover, Colin, who wants her to run away with him. But Colin has three horrible children and a shrill wife who is pregnant again--how is he going to run anywhere? As Isabel wrestles...

In postwar rural England, Hilary Mantel grew up convinced that the most improbable of accomplishments, including "chivalry, horsemanship, and swordplay," were within her grasp. Once married, however, she acquired a persistent pain that led to destructive drugs and patronizing psychiatry, ending in an ineffective but irrevocable surgery. There would be no children; in herself she found instead one novel, and then another.