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'One of the great stories of the American theater..., the Workshop not only built an international reputation with its daring choice of plays and nontraditional productions, it also helped launch a movement of regional, or resident, companies that would change forever how Americans thought about and consumed theater.' - Elin Diamond, from the Introduction

Herbert Blau founded, with Jules Irving, the legendary Actor's Workshop of San Francisco, in 1952, starting with ten people in a loft above a judo academy. Over the course of the next 13 years and...

"Herbert Blau's long sustained inquiry into theater's most provocative questions--presence, liveness, and finitude--are, at their deepest level, queries into life. Reality Principles returns us to Blau's inspiring provocations and extends them to new subjects--9/11 and Ground Zero, the nature of charisma, Pirandello and Strindberg."
--Peggy Phelan, Stanford University

Reality Principles gathers recent essays by esteemed scholar and theater practitioner Herbert Blau covering a range of topics. The book's provocative essays--including "The Emotional Memory of...

"From his childhood in the 'Jewish heart' of Brooklyn to his memorable production of Endgame in the 1960s, Herbert Blau's autobiography provides not only more of Blau's penetrating insights into dramatists like Beckett and into the complex cross-currents of the American experimental theatre of this turbulent period. It is also a rich, deeply felt and powerfully expressed chronicle of cultural change that goes far beyond specific theatrical productions to offer a valuable personal view of the years that did so much to shape the contemporary world, expressed by one of the theatre community's...

Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau-his directing, writing, and criticism-has been a determining force during this period as theater encounters theory.

Blau's struggle to bring a critical intelligence to the American stage goes back half a century, to the quiescent postwar years (which he has eloquently described in The Impossible Theater: A Manifesto). His innovations in performance began with early productions of now-canonical plays that were...

Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau-his directing, writing, and criticism-has been a determining force during this period as theater encounters theory.

Blau's struggle to bring a critical intelligence to the American stage goes back half a century, to the quiescent postwar years (which he has eloquently described in The Impossible Theater: A Manifesto). His innovations in performance began with early productions of now-canonical plays that were...

Herbert Blau here reflects on performance as it moved from the theatricalized activism of the sixties into the theoretical activism of the eighties. The essays theorize rather than formulate an ideological program. Blau takes risks at the speculative edge of thought. The Eye of Prey is comprised of diverse subject matter: love and mourning, play and aging, radical feminist and homosexual discourse, the politics of representation, comedy since the Absurd, Barthes and Beckett, Beckett and Derrida--a critique of certain aspects of postmodern thought and performance, and in particular the...