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Every major political and social dispute of the twentieth century has been fought on the backs of our children, from the economic reforms of the progressive era through the social readjustments of civil rights era and on to the current explosion of anxieties about everything from the national debt to the digital revolution. Far from noncombatants whom we seek to protect from the contamination posed by adult knowledge, children form the very basis on which we fight over the nature and values of our society, and over our hopes and fears for the future.

Unfortunately, our understanding...

Lively and highly readable, "What Made Pistachio Nuts?" examines what Henry Jenkins calls the anarchistic tradition of American film comedy. Anarchistic comedies of the 1930s mock the social order and celebrate the creativity and impulsiveness of their protagonists in a form of clowning that ultimately reestablishes the status quo.

Jenkins focuses on well-known films such as the Marx Brothers' "Duck Soup" and W.C. Fields' "It's a Gift, " as well as all-but-forgotten works like "Diplomaniacs, Hollywood Party, So Long Lefty, " and others. He tracks the careers of the comic stars -Eddie...

Henry Jenkins at Authors@Google (video)

Henry Jenkins-s pioneering work in the early 1990s promoted the idea that fans are among the most active, creative, critically engaged, and socially connected consumers of popular culture and that they represent the vanguard of a new relationship with mass media. Though marginal and largely invisible to the general public at the time, today, media producers and advertisers, not to mention researchers and fans, take for granted the idea that the success of a media franchise depends on fan investments and participation.

Bringing together...

On February 11, 1972, Wanda arrived home at 11:30 p.m. She was the charge nurse at a local nursing home. What she did not know was by 3:00 a.m. February 12, her life would be irrevocably changed by the unexpected violent death of her mother. Walk with Wanda through the cycles of homicidal loss. See how she was spiritually transformed. Allow her to help you regain hope and healing as she gently accompanies you in the aftermath of a loved one's murder.

My Story, My Song: Daughter of a Murder Victim is Wanda's story of her transition from devastation to spiritual transformation after...

On February 11, 1972, Wanda arrived home at 11:30 p.m. She was the charge nurse at a local nursing home. What she did not know was by 3:00 a.m. February 12, her life would be irrevocably changed by the unexpected violent death of her mother. Walk with Wanda through the cycles of homicidal loss. See how she was spiritually transformed. Allow her to help you regain hope and healing as she gently accompanies you in the aftermath of a loved one's murder.

My Story, My Song: Daughter of a Murder Victim is Wanda's story of her transition from devastation to spiritual transformation after...

Henry Jenkins at Authors@Google (video)

Vaudevillians used the term -the wow climax- to refer to the emotional highpoint of their acts--a final moment of peak spectacle following a gradual building of audience's emotions. Viewed by most critics as vulgar and sensationalistic, the vaudeville aesthetic was celebrated by other writers for its vitality, its liveliness, and its playfulness.

The Wow Climax follows in the path of this more laudatory tradition, drawing out the range of emotions in popular culture and mapping what we might call an aesthetic of immediacy. It pulls...

Henry Jenkins at Authors@Google (video)

Winner of the 2007 Society for Cinema and Media Studies Katherine Singer Kovacs Book Award

2007 Choice Outstanding Academic Title

Convergence Culture maps a new territory: where old and new media intersect, where grassroots and corporate media collide, where the power of the media producer and the power of the consumer interact in unpredictable ways.

Henry Jenkins, one of America's most respected media analysts, delves beneath the new media hype to uncover the important...

Henry Jenkins at Authors@Google (video)

Henry Jenkins-s pioneering work in the early 1990s promoted the idea that fans are among the most active, creative, critically engaged, and socially connected consumers of popular culture and that they represent the vanguard of a new relationship with mass media. Though marginal and largely invisible to the general public at the time, today, media producers and advertisers, not to mention researchers and fans, take for granted the idea that the success of a media franchise depends on fan investments and participation.

Bringing together...

The twentieth anniversary edition of Henry Jenkins's Textual Poachers brings this now-canonical text to a new generation of students interested in the intersections of fandom, participatory culture, popular consumption and media theory.

Supplementing the original, classic text is an interview between Henry Jenkins and Suzanne Scott in which Jenkins reflects upon changes in the field since the original release of Textual Poachers. A study guide by Louisa Stein helps provides instructors with suggestions for the way Textual Poachers can be used in the...