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Woran bindet sich die Emotion des Zuschauers im Kino? Ausgehend von dieser Frage entwirft das Buch einen originellen Blick auf eine kritische Periode US-amerikanischer Filmgeschichte. In der detaillierten Analyse einzelner Filme entsteht das Bild eines komplexen Zusammenspiels dreier Modi von Affektivitat - Suspense, Paranoia und Melancholie -, welche die Zuschauer auf je besondere Weise in die Widerspruche ihres eigenen Fuhlens verwickeln.

How is affective experience produced in the cinema? And how can we write a history of this experience? By asking these questions, this study by Hauke Lehmann aims at rethinking our conception of a critical period in US film history – the New Hollywood: as a moment of crisis that can neither be reduced to economic processes of adaption nor to a collection of masterpieces. Rather, the fine-grained analysis of core films reveals the power of cinematic images to affect their audiences – to confront them with the new. The films of the New Hollywood redefine the divisions of the classical genre...

How is affective experience produced in the cinema? And how can we write a history of this experience? By asking these questions, this study by Hauke Lehmann aims at rethinking our conception of a critical period in US film history – the New Hollywood: as a moment of crisis that can neither be reduced to economic processes of adaption nor to a collection of masterpieces. Rather, the fine-grained analysis of core films reveals the power of cinematic images to affect their audiences – to confront them with the new. The films of the New Hollywood redefine the divisions of the classical genre...