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Offering a survey of Hollywood science fiction cinema from 1979 to 2017 (from Ridley Scott’s Alien to Denis Villeneuve’s Blade Runner 2049), Dystopia and Dispossession in the Hollywood Science Fiction Film argues that the trajectory of Hollywood’s dystopianism in that period is inextricable from the phenomenon of the ‘new enclosures’, the new dispossessions and privatisations sweeping across the United States since the 1970s. More precisely, it contends that the critiques of such dispossessions elaborated before the turn of the century – consider the satire of private policing in...