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Maurice Tourneur (1876-1961), the French and American director, actor, and theatrical manager, is the focus of this work. He began in France during the years 1912-1914, and then spent 1914-1926 in New Jersey and Hollywood, directing more than 50 films, using his French interests and talents to help shape the industry, and bringing "stylization" to the screen.

During the first half of this century, motion pictures were often considered disposable once their circulations were over. The recycling of used film and the use of components for war efforts contributed to the loss of many movies, as did the unstable nature of the nitrate film itself. The loss of extant works has created gaps in the national cinematic history of the United States and most European countries. Eighty percent of all Western-made films produced before World War I are considered lost, while 15 percent of the films made from 1930 to 1950 are also missing.Here are descriptions of...

In an ambitious attempt to dominate the international sound film market, Paramount, the motion picture powerhouse, invested money abroad where great filmmaking talent was at hand. Waldman looks at the 300 films Paramount produced in Paris and the filmmakers who loaned their genius to an effort that has been overlooked by film historians.

In a hundred years of filmmaking dozens of potentially great films of master directors and artists were either never completed or not released. Many of these films are lost forever, but their little-known histories illustrate what fiction writers have known all along: People's failures often make stories more compelling than their successes.

The reasons these might-have-beens never came to fruition are almost as varied as the plots themselves: Love spurned (L'Ecole des Femmes, 1941, Max Olphuls), unmanageable stars (I Loved a Soldier, 1936, Henry Hathaway), government...